J327: Feature Writing and Reporting
Fall 2009
MWF 8-9 a.m.
Instructor: Dave Harmon
cell: (512) 652-8810
Room: CMA 6.168
Office hours: by appointment
Course description: This class will focus on reporting and writing feature stories for publication in newspapers, magazines and other outlets. The basic skills that go into good storytelling will be emphasized. You’ll will report and write original stories, practice pitching stories to different media and work as a team to brainstorm ideas and critique each other’s work.
Text: None. Samples of feature stories will be provided either through handouts or on Blackboard (http://courses.utexas.edu. You can find support in using Blackboard at the ITS Help Desk at 475-9400, Monday through Friday, 8 a.m. to 6 p.m.
Course Requirements: You’ll write five stories over the course of the semester that will account for 80 percent of your grade. This must be original work that has not been submitted for another class or publication. All but the personal essay must involve some reporting out in the field.
Personal essay (minimum of 700 words; 10 percent of final grade)
News feature or issue story (min. 1,000 words and 3 human sources; 15 percent)
Profile (min. 1,000 words and 3 human sources; 15 percent)
Your choice (min 1,000 words and 3 human sources; 15 percent)
Narrative (min. 1,500 words and 4 human sources; 25 percent)
You’ll also turn in story plans for the final four stories, participate in story idea brainstorming sessions, do some in-class assignments and write a handful of short essays as homework. No quizzes, no midterm, no final exam.
The remaining 20 percent of your grade will come from a combination of attendance, participation in class, completion of in-class assignments and homework.
Deadlines: This is a journalism class, so they’re really important. Assignments must be printed out and turned in at the beginning of class on the due date. If you forget your work, I’ll allow email submissions (either a Word document or pasted into the email body) no later than noon on the due date. Unless you get permission from me in advance to turn in an assignment late, I’ll take 10 points off for late work, which will jump to 20 points if it’s more than 24 hours late (which means 8 a.m. the next day).
J327/Harmon syllabus p.2
Attendance: You get two freebies. After two absences, points will be deducted from your final grade for any unexcused absences (I’ll give excused absences if you have a good reason and let me know that day why you were absent). Same thing for habitual lateness. I know it’s early in the morning, but please get here on time. Missing a story critique day will count as two absences.
Story format:
• Double-spaced
• 12-point font (Please, no colored ink or crazy fonts. Makes my eyes hurt)
• Put your name and the type of story at the top of the first page (ex: Dave Harmon, personal essay)
• At the end of each story, list the names and contact information (phone number/email address) for each source, along with at least one publication that you pitched the story to (name of publication, contact person, date of contact) and the outcome of the conversation.
Grading: I’m going to grade your work the same way I edit reporters’ stories. A story that I would not hesitate to publish and doesn’t need significant additional reporting or major editing gets an A. Stories that need either significant editing or reporting get a B at best. Stories that need both (editing and reporting) get no better than a C. Stories that don’t show serious effort at reporting or writing will get a D or an F. In addition, stories that just aren’t interesting (a subjective judgment, yes, but one editors make every day), stories that appear to have been reported completely by phone/computer/email or that quote people you know (friends, family, roommates – except for personal essays) won’t do better than a C. Plagiarism of any kind will mean an F for the assignment and possibly the class, depending on the severity. Same thing for inventing sources.
Other things that will cost you points:
• Improper or missing attribution for facts and quotes
• Boring quotes (try paraphrasing instead)
• AP Style, spelling, grammar errors
• Flat, lifeless or uninteresting leads
• Failure to list sources or publications you’ve pitched your story to
Things that will help you do well on stories:
• Well-conceived story ideas with a sharp focus and a fresh angle
• Vivid, concise writing that doesn’t waste words and gives the reader the feeling of “being there” through detailed description
• A good variety of sources who are well-informed about the topic
• Interesting quotes that capture the source’s voice or opinion well
• Leaving your comfort zone (like campus, for example) for your stories and doing good, on-the-ground reporting (big points for this)
J327: Feature Writing and Reporting
Fall 2009/Harmon
MWF 8-9 a.m.
SEMESTER SCHEDULE
Week 1: (Aug. 26, 28): Course introduction
Wed: Introduction, class goals
Homework: 1-2 page autobiography, list of things you want to learn this semester
Fri: Career paths: can I still make a living as a writer?
Due: autobiography
Homework: Find an example of good storytelling from any media (magazine, website, newspaper, poetry, short story etc.) to bring to Monday’s class
Week 2: (Aug. 31-Sept. 4)
MON: Developing good story ideas and mapping out a game plan
Due: Share examples of good storytelling
Homework: Find 3 good story ideas and bring them to class Friday
WED: Riffing off the news to find good features
FRI: Humanizing big issues
Due: STORY #1 (personal essay)
Homework: Story plan for Story #2 (news feature/issue); short essay 1 (500 words minimum, topic TBA)
Week 3: (Sept. 7-11)
MON: NO CLASS, Labor Day holiday
WED: Story meeting for story #2 (news feature or issue story)
Due: Story plan, short essay 1
FRI: Finding meaningful details; writing with the senses
Classwork: Sensory writing
Homework: Short essay 2 (500 word min., topic TBA)
Week 4: (Sept. 14-18)
MON: How to start and end a story well
Due: short essay 2, revised story plan (if necessary)
WED: Structuring your story
FRI: Alternative structures: adventures in experimental writing
**Have a draft of your story ready for Monday’s critique
J327 schedule /2
Week 5: (Sept. 21-25)
MON: class critique for news feature/issue story (bring 5 copies of story draft to class)
WED: Getting published: how to approach editors and pitch stories
FRI: Reporting and writing profiles
Due: News feature/issue story
Homework: Story #3 plan; short essay 3 (500 words min., topic TBA)
Week 6: (Sept. 28-Oct. 2)
MON: Story meeting for Story #3 (profile)
Due: Profile story plan; short essay 3
WED: Honing your interviewing techniques
FRI: Interviewing practice
Due: Revised profile story plan (if necessary)
Homework: summary of interview with classmate (min. 1 page)
Week 7: (Oct. 5-9)
MON: Shifting space and time without confusing your readers
Due: Classmate interview summary
Homework: writing exercise: one hour, three scenes
WED: Playing with time
Due: scenes exercise
FRI: Guest speaker
**Have a draft of your story ready for Monday’s critique
Week 8: (Oct. 12-16)
MON: Class critique for profile story (bring 5 copies of story draft to class)
WED: The scalpel, the knife or the chainsaw: how to self-edit
Classwork: Story editing
Due: Profile story
Homework: Story #4 plan (your choice) due on Monday
FRI: One-on-one sessions (everyone else gets the day off)
J327 schedule /3
Week 9: (Oct. 19-23)
MON: Story meeting for Story #4 (your choice story)
Homework: Story #4 plan; Find song lyrics that tell a story and bring a copy of them Wednesday
WED: What The Beatles, The Boss and others can teach us about writing
Due: Story #4 plan
Homework: Short essay 4 (500 words min., topic TBA)
FRI: One-on-one sessions
Week 10: (Oct. 26-30)
MON: Building tension: cliffhangers, foreshadowing and other techniques
Due: revised story plan (if necessary); short essay 4
WED: Instructors’ choice: topic TBA
FRI: One-on-one sessions
**Have a draft of your story ready for Monday’s critique
Week 11: (Nov. 2-6)
MON: Class critique for Story #4
WED: Identifying what is a narrative (and what isn’t)
Due: STORY #4
FRI: Reporting for narrative
Homework: Narrative story idea
Week 12: (Nov. 9-13)
MON: Story meeting for Story #5 (narrative)
Due: Narrative idea
Homework: Narrative story plan. Short essay 5, “It happened like this…” (an event from your life, 500 words min.)
WED: Guiding your inner camera: writing in scenes
Due: Narrative story plan, short essay 5
FRI: One-on-one sessions
Week 13: (Nov. 23) **NO CLASS FRIDAY, THANKSGIVING**
MON: Online storytelling and multimedia (video, blogs, graphics, and such)
WED: One-on-one sessions
J327 schedule /4
Week 14: (Nov. 30-Dec. 4)
MON: Troubleshooting your narrative
**Have a draft of your story ready for Wednesday’s critique
WED: Class critique for narrative story
FRI: Course evaluation and final thoughts
Due: Narrative story
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Other stuff…
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